stilljustandrew (
stilljustandrew) wrote2007-05-31 11:43 pm
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*There should be a word for the inverse of deja vu, Andrew thinks as he crosses the street away from Central Park, squinting against the sun. A word for the way everything he passes seems to be sliding into place to form a tableau, a single moment he saw once through a door he couldn't step through.*
*Buses, taxis, pedestrians -- a car passes by, its radio playing something with a hip-hop beat, far too loud --*
*There. There.*
*Andrew steps onto the sidewalk and starts toward the mini-mart door, and toward the young man in a tuxedo who's standing just outside it, staring back through.*
*As the door closes:*
Hey.
*Buses, taxis, pedestrians -- a car passes by, its radio playing something with a hip-hop beat, far too loud --*
*There. There.*
*Andrew steps onto the sidewalk and starts toward the mini-mart door, and toward the young man in a tuxedo who's standing just outside it, staring back through.*
*As the door closes:*
Hey.
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"...Hey."
He eyes Andrew. The poor boy thinks he's tired now.
Don't spoil him.
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*God, he's so much younger.*
*...right. Explanations.*
It's cool. I couldn't get through from the bar because I was already here. I mean, here, in-this-world here.
But, you know. Here here too. Glad I got the time right.
*Andrew smiles. And it's genuine.*
I wouldn't miss this for the worlds.
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"Nice...hair."
It's totally just as funny the second time around.
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Damn, I've missed you.
*It falls out of his mouth before he can stop it, and he keeps talking hurriedly before Warren can respond.*
So I hear there's a lady somewhere around here waiting for you to show up and marry her.
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It has gone right over Warren's head what Andrew's first comment might mean. He's a little self-involved at the moment.
...
That is, more so that usual, and Andrew has brought up the exact reason why at exactly the right moment. Well played.
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*Wait, there was something -- Andrew pats at his pocket. Damn, damn, he forgot the matches --*
Need to make a stop along the way, though.
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"What? You don't trust me now?"
Warren is sweating it. Well, not that, specifically, but...sweating. Need to get this show on the road. This is, like, the first day of the rest of his life.
For, like, the second time.
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*This is a happy day. He is not going to ruin it. He's going to go, and work the Summoning like he promised so Wes can attend, and not talk about the future. Or the past.*
*Just ... now. Be in the now. This is a happy day.*
C'mon. Let's get moving.
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But Warren will never get that answer. That's not how this scene goes.
"I missed you too. Manly, heterosexual hugs?" He suggests.
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...Sure.
*And he steps into the hug -- not too tight, a minimum of hearty congratulatory shoulder-clapping, for god's sake don't cling, let go now, let go now --*
*When he steps back, the glance at his watch is as much to regain his composure as to actually check the time.*
Seriously, come on. This is gonna take some time to set up.
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Warren has a married to be.
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*Including helping one of the wedding guests arrive.*
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It's gone well so far. Isabel looked beautiful and radiant, Warren looked sincerely happy, and they're easy to focus on - especially if you're trying to avoid looking at, say, the groom's party. Or meeting anyone's eyes therein. Meg's been astonishingly successful at it.
And now there's the reception to navigate. For which, Meg feels, she will need caffeine, and so she makes her way over to the coffee table and pours herself half a cup.
This is not an unexpected move for anyone who knows Meg.
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*Andrew's managed by focusing entirely on the bride and groom. But now they're gone, whisked off somewhere by the photographers, and there is nobody at all here he can talk to without fighting to keep his mouth shut about their future --*
*And as he turns away from the liquor table, there she is, and it's too late to even think about looking away.*
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It's involuntary.*
Bonjour, *she says, inanely, as the silence stretches - unable to think of anything else.*
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*Only a lifetime.*
*He's holding out his hands, and making himself smile at her, and saying the words he'd planned and rehearsed --*
I know. It's okay. I'm not going to tell you anything.
*He knew this was coming. He knew this was coming.*
*It shouldn't hurt this much to see her alive.*
Future's not ours to see, right?
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*She hears how high her voice is, feels how stiff she's standing.
(She's staring at him as if he's the ghost.)*
Andrew, I can't do this - je te vous en prie -
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*And it isn't until that thought that it hits him: he's there. The younger him is there for her on the other side of her door.*
*And they've still got a year left together before she dies. And another year and a half after. Two and a half years he wouldn't trade for anything.*
*He manages a smile, and it's heartfelt.*
Shh. Je sais. It's okay.
*Goodbye, Meg.*
Go on.
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For how much longer, the younger Meg - though not all that much younger; a year, half a year older is all she'll ever get - doesn't know, and doesn't want to.
Maybe it's okay. Maybe it's not. Either way, she can pretend it is if she leaves, now, turns, disappears into the crowd -
And doesn't look (forward) back.*
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*Really it has. And it's still in full swing, but the bride and groom are about to make a quick getaway and leave their guests to finish carousing on their own.*
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Warren has distracted words for a select few as he makes for the door. Cue the Andrew.
"Thanks dude," Warren says, eyes darting toward his new bride who is doing her own conversing several feet away.
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*His whole future ahead of him.*
No problem. I'm glad I could be here.
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Warren keeps being startled by Andrew's hair. It may be alive.
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*He follows Warren's earlier glance toward Isabel.*
You two heading off now?
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Warren smirks a crooked smirk and barely restrains himself from giving Andrew a good rib-elbowing. You know: because of the obvious carousing that's going to go down.
"So, uh, we should..."
Nudity. They should nudity.
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*Andrew hesitates, then holds out a hand. He's smiling, but it's a very sober smile.*
You take care of each other, okay?
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Warren's mind? In the gutter. Where it belongs.
Warren shakes, like a good dog.
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*And he can't say that.*
So, um.
I'll see you back at Milliways, yeah?
*Because from Warren's perspective ... he will.*
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Because from Warren's perspective...he will. And so any somberness goes over Warren's head. Warren: detrimental to touching situations everywhere.
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*A pause, and he hoists the This Is A Happy Day smile onto his face again, and lets go Warren's hand.*
Now get going. I'll cover your escape.
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And I will put this one away
I will put this one away
I'm gonna put this one away
*Andrew stands where he is, and watches them go.*
Would you believe me if I told you the stories were true?
Would you believe me if I told you the whole world is feeling blue?
Would you believe me if I told you I was wrong?
Would you believe me if I told you this was a song about love?