stilljustandrew (
stilljustandrew) wrote2010-04-12 08:13 pm
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[Detroit!AU: the first to come was a fair maid]
Jonathan's vision was pretty well unmistakable. Gabriel's in danger, and doesn't know it -- or at least doesn't know the specifics.
That would be enough on its own, even if Andrew didn't more or less owe him his life.
Gabriel's nowhere to be seen at Milliways, and no one seems to have run into him in the past couple of days. Well, and that's normal enough; there's no reason he'd be here all the time, and plenty of reason to make himself scarce, all things considered. Maybe he's just back home.
Please just let this not be too late.
Andrew writes out a note at the bar giving Jonathan's vision in as much detail as he can, folds it carefully in quarters, and writes "The Trickster (G.)" on the outside.
That would be enough on its own, even if Andrew didn't more or less owe him his life.
Gabriel's nowhere to be seen at Milliways, and no one seems to have run into him in the past couple of days. Well, and that's normal enough; there's no reason he'd be here all the time, and plenty of reason to make himself scarce, all things considered. Maybe he's just back home.
Please just let this not be too late.
Andrew writes out a note at the bar giving Jonathan's vision in as much detail as he can, folds it carefully in quarters, and writes "The Trickster (G.)" on the outside.
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Even if she is just trying to be nice with that last line, it's still kind of discombobulating to get a compliment like that from a total stranger.
(If not entirely unpleasant.)
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"Infirmary, here we come."
Of course, to get there from here, they'll have to pass between the staircase leading to the upper floors and the dog under the table.
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Meg flicks the fingers of her free hand behind her back in a quick sign, and the henchman by the front door begins to slowly drift from that position, moving through the crowd in such a way that they're between him and the stairs, and he's between them and escape.
As they draw near the stairs, the second dog gets to its feet. A low growl comes from under the table, and it steps into view between them and the lake door.
There's no sign of 'Rex' or his 'owner.'
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Andrew glances at the girl, abruptly unnerved.
"Is that the same d--"
In mid-word he looks back at it, and stops.
"That's not a dog."
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"Its face, what's wrong with its face--"
She shrinks closer to him.
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Slowly, carefully, he shifts sideways so that he's half in front of the girl.
"Can you walk on your own?" he asks, low and tight, without looking at her.
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"I think so." Meg lets go of him and stands, favoring her 'injured' ankle.
"Where--?"
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"Head for the stairs," he says out of the side of his mouth, "I'm gonna call for Security."
And draws a breath --
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Oh no you don't, Wells.
"It'll just attack if you do," she hisses, and indeed the hound is bristling now, glaring at them. "Come on, come with me, maybe we can hide in a room or something until it gets tired--"
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And, raising his voice, he says directly to the hellhound: "Do you understand me?"
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Meg is tugging frantically at his arm. "I can't run anyway, but I'm not leaving you here with that thing -- please!"
She flicks a sharp warning glance over his shoulder at the hovering henchman.
This could all go bad quickly if Wells causes a scene. They're ready to move fast, in public or not, but it'd be better to not have to take the risk.
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"Okay," he says, very low. "My room. I've got supplies, we can maybe hold them off till backup arrives. If we can get there."
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Finally.
"Okay," Meg says, forcing a small quaver into her voice. "Okay. Whatever you say. Now can we please just go, get away from it, please?"
She pulls at his arm again, and takes another step back.
The hound watches, still growling, but makes no move to follow.
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It's not chasing them. It's more ... like it's standing on guard.
What's it guarding? -- no. Time for that once they're away.
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Meg glances over her shoulder as if to check her footing. Instead, her glance goes to the shadows at the top of the stairs, and she gives a small nod to the second henchman, standing half-hidden there with a dark cloth in his hands.
Be ready.
('Rex' stands waiting on the other side in the hallway, just out of sight.)
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"Okay," he says, low, about halfway up the steps. "It's not following us. We might be okay once we get to the hallway."
Beat.
"Uh, by the way." Half-smiling. "I'm Andrew."
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A few more steps, and then she smiles too, bright and sharp.
"Hi, Andrew. Nice to see you again."
Beat.
"You can call me Meg."
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Andrew twists to stare at her, eyes widening.
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"Gotcha."
She snaps her fingers, and as the second henchman and the hound in the bar below rush the stairs, the first one leaps forward, clearly meaning to throw the cloth -- now revealed to be some sort of sack or blanket-- over his head.
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He moves a half-second too late, trying to body-block the henchman off-balance enough to avoid the cloth, hoping to get past him and run.
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The henchman stumbles, and the cloth misses Andrew's head entirely, going around his arms and upper body as his assailant grapples at the his torso instead.
Snarling, 'Rex' charges from his guard position in the corridor to block the potential escape route, and the other henchman takes the rest of the stairs at a flat run, throwing himself forward to grab at Andrew's legs and lift his weight from the floor.
"Get him to the room." Meg's tone is cold and frighteningly intent. "Hold him there. Don't let him touch anything."
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He thrashes, heaving against the cloth binding his arms, the hard grip on his legs, and draws in breath to scream for help.
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This time it isn't her elbow that makes contact. It's her fist, as she drives a short sharp punch into his gut.
A curt word sends Rex dashing ahead to keep the hallway in front of them clear, while the second hound brings up the rear, defending their flank. Meg keeps pace beside the two men carrying Andrew as they move into a section of the corridor that's in the process of being rebuilt.
There's an open doorway up ahead on the right. A second look reveals that it's open because the door that once hung there appears to have been blasted from its hinges, and is now leaning against the opposite wall.
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It's probably why he doesn't realize where they're going until they're already hauling him through the splintered doorway, with its lintel twisted out of true.
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