stilljustandrew (
stilljustandrew) wrote2014-02-10 11:02 pm
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[pfsb] silence in the library
Andrew doesn't check out the Milliways library that often, but there are a few books that a patron left downstairs, and he's volunteered to return them.
The library door's pretty thick; it's designed to be. For better soundproofing.
There's no reason he should hear anything happening inside before he opens the door.
The library door's pretty thick; it's designed to be. For better soundproofing.
There's no reason he should hear anything happening inside before he opens the door.
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"You got 'em," he murmurs.
God, he could kiss you, Andrew Wells.
--Er. That is.
You know what, yeah, we'll go with that.
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"You might want to keep that sound available, though," he says, "in case they're just, like, hiding around the next corner."
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"I'll keep it pulled up, yeah," he agrees. "Should we try to go, like, back the way we came ...?"
Yes and no: As it turns out, they can't get exactly back the way they came, because a few turns into their retread and the library spits them out in the main bar. Matt is baffled, but he's not exactly complaining. Danger's been averted! He gets to sit down! He finally gets booze-infused ice cream. (His is a maple-bacon-bourbon milkshake.) And, although the buzz is hitting him expectedly quickly, he manages to give Andrew a brief tutorial on phones of the future-- his phone of the future, anyway.
"It's supposed to be the most intuitive model yet," he concludes wryly. "But I'm now pretty sure that's contingent on users having been around and buying phones for the past five years or so."
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"I still can't believe we never compared decades," he says, half complainingly, looking at the phone. "I mean, we said early twenty-first century, but that's still ..."
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He takes another delicious sip.
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"Oh -- I should probably leave a note for Security about the piskies, in case they spread out from the library."
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Since there's no time like the present, he digs into his bag and comes up with a notebook and pen, flipping past a few pages of abstruse-looking diagrams and ancient languages to a fresh sheet.
He nudges the notebook Andrew's way.
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And boy, does he ever want to take a look at those diagrams and languages. But you don't read someone else's notebook without asking.
He pens a few quick lines, describing the piskies and their brief encounter with them, identifying them by name, and adding the full list of ways to get rid of them -- domestic cats and iron bells as well as the cock-crow. The recorded sound appeared to work as well, he adds, and then pushes the pad across to Matt.
"Did I leave anything out?"
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"I don't think so," he says at last.
He tears the sheet out neatly (and a bit over-carefully), sliding it to Andrew, and fiddles absently with his pen.
"Do we tell them we're around to help if they need anything else? I mean, I am, at least, or I can be."
(He ought to stick around for a little while in any case, to see if not-his-ex-Dracula will make an appearance.)
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He signs his name, leaving a place for Matt to sign his, and slides the note back across.
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"There you go."
Then he figures he ought to put his notebook away-- it feels anti-conducive to conversation-- although he does pause a moment to peer at his last set of scribbles.
What time was it when he wrote that?
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He almost succeeds!
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"What is it?"
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A hasty swallow of milkshake seems like it might help the encroaching embarrassment.
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He slides the notebook Andrew's way: The open page does, in fact, feature a few lines of poetry (with translation, which reveals it to be about the goddess Inanna).
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"Which ... may be the only actual reason I wrote it down, come to think of it."
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"I don't think my diary's in there."
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The sketched schematic for a power-generating spell on a public playground makes him give a low whistle. "Oh, nice."
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"That one should actually be one of the simpler ones to implement, I just ... want to be sure I'm as prepped as I can be before I work on something that'll involve kids."
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